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White pine woodblock carving |
Here’s a woodblock carving I created during Robert Hinchley’s Experimental Printmaking class at
Pontiac School of the Arts, located in Portage-du-Fort, Québec. While first glancing at the white-pine block, I immediately interpreted the large knot as a horse’s eye – and so my carving was born.
The technique is reduction – where you take prints from the block in one colour, then reduce (carve away) more of the block, repeatedly printing in more colours, as desired.
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Framed woodblock print (one of several printed in different colours) |
This is a green, yellow and black reduction print. I possess many other prints made from this block – and they’re still for sale.
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